Analyzing Poetry Essay

Ezra chaws poetry is salient(ip) in its break from the blank indite which occupied the page during the transcendental period. taking points from Whitmans free verse bearing, buffeting gives the ref a subjective smelling at poetry. The song A vestal gives the commentator both phantoms and tangible feelings of which the cashier is powerless to control (much as the warf be made agriculturalmen feel a impo 10ce in the death of their comrades).This is supported with forms much(prenominal) as And left me cloaked as with a gauze of aether (Pound downslope 5). It is this symbolic castration that war represents which plays a significant role in Pounds numbers. Pounds rime War Verse Pound gives a rather ambivalent opinion of man War I. The point of the poem is that he wants poets to give soldiers their cadence he was speak about poets winning awards for their poems about the war, of which they had seen no action. The beginning lines of War Verse are, O two-penny poets, be still For you have nightspot years out of every ten To go gunning for glory with pop guns Be still, give the soldiers their turns (Pound lines 1-2). In either poem this idea of non being adequate to(p) to do anything about the war and the deaths that were the aftermath of that war, are the impetus to Pounds feelings. The form of either poem are similar, and the subject matter of course is strikingly the same. In T. S. Eliots view of the previous(prenominal) as expounded upon in his try usage and the Individual Talent have to do with following custom.Eliot criticizes poets and critics for only following a tradition that is merely genius contemporaries removed from the present and says that we ought to follow the matureness of the poet, not the chimneysweep of his hammer, not the work done with less vigor as we are apt to do. In his essay Eliot says we must understand what it is when we speak of tradition which means that we cannot ignore any of the work, that a poet mus t strive uphold tradition in knowing the serious expanse of literature (not just the previous contemporariess triumphs) as Eliot states,the historical spirit compels a man to write not merely with his own generation in his bones, notwithstanding with a feeling that the totally of the literature of Europe from Homer and inwardly it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. (Eliot paragraph 3) For T. S. Eliot, The Love yell of J. Alfred Prufrock can be said to be the addressing of age, life, and ones personal interlocking with the passing of twenty-four hour periods. The many allusions throughout the poem may be attributed to various issues concerning ones growing old.In line two, for example, Eliot makes the equality of the evening to an unconscious uncomplaining on an operating table. The consequence of this resemblance is that the reader begins to see the evening as not the end of a day, but rather the end of someones life old age. With this allusion used in Eliots poem the reader is allowed to explore their own understanding of how their life has been in comparison to the illustrations used by Eliot. Thus, the reader becomes a part of the poem an expeditious angleener in the story/poem told by Eliot.The personification of the condemnation of day at the beginning of the poem, then leads the reader to view the rest of the poem in a manner conducive to that comparison with all of the metaphors dealing with life. This comparison is except pressed in line 23, with And so there will be time. This solidifies the metaphor of time, and a persons dealings with it. Eliot seemed to enjoy writing in the metaphysical aspects and indeed this is strongly reflected in Prufrock, while Eliot balances this writing with concrete imagery.though Eliot insists there will be time, he follows this line with a list of many things that one does throughout his or her life. This expansive list would fill a lifetime, and therefore refute the idea of undated time that line 23 infers. Eliot wish to write in contradictions since humanity was full of contention points and paradoxes. The hesitations and frivolous actions of life listed in this poem are not an program line of the ability to achieve these goals, or unwarranted this time, but instead it is a monition that time passes, without respect to the thirst or intent of a person.Eliot makes mention of this by indicating that his hair is thinning, something that he does not desire to occur, yet does outside his control. This again is the metaphysical aspect of Eliots writing which could mayhap have been inspired by Donnes work, yet Eliots writing style seems to be more realistic than Donnes and Eliot writes with a sort of paying care to the fringes of humanity and exploring darker concepts of the human mind such as death and time in this poem.Works CitedThe Heath Anthology of American Literature, Vol. II, ed. Lauter, et al (Vols. C, D, a